|Nightingale (Martin Kelsey)|
Late April and I rise at six, which is well over an hour before sunrise. It is high season for the business and there is breakfast to prepare, packed lunches and organising the day's guided birding. But my routine is simple. Washed, shaved and dressed, I come downstairs and open the front door. With no moon at the moment, the sky, still not showing any glimmer to the east, is illuminated only by stars. Scorpio dominates the southern sky - slung across my view, stretching across my horizon. I always pause and take in a deep breath of pre-dawn air. I pause again and listen. Without fail, at the end of April there are always two birds singing: it is too early for the chatter of the conversations of waking sparrows, nor the Blackbird or Swallow. From near at hand, indeed just feet away to my left, comes the urgent, clean and full-bodied notes of Nightingale. This bird will have been singing throughout the night, as waking moments will have testified. Further away, but piercingly and plaintively passionate will be the lilting cadences of Woodlark. These two deeply moving sounds are the first elements of the natural world that I will hear each morning at the moment. Some mornings, at the same time, there will be other sounds: the tocking of Red-necked Nightjars, the even short whistles of Scops Owls or soft hoots of Long-eared Owls. But these are supporting actors at this stage of spring, and my three or four minutes of commune with pre-dawn Extremadura is held by two soloists of trascendential talent. I quietly close the front door again and return to the kitchen to start the chores needed for the day ahead, just as the eastern sky starts to brighten.
Up at 4am this morning 2hr drive to see Nightingales that's UK birding Enjoy your garden Martin Claudia & Patrick
Everyone Please get the drug Diclophenac banned SAVE THE VULTURES & WILD LIFE